Songs & Poems

Songs

Three individual songs and an album, available on YouTube, inspired by the life of Archbishop Romero are available below.

There is also a song called 'No Murio', or 'He Did Not Die', available to listen to by clicking here. The lyrics in Spanish and with English translation can be downloaded at the bottom of this page.

'Romero' from The Martyrs Project, sung at the Ecumenical Service in St Martin in the Field's for the 35th anniversary of Romero's assassination.

A Welsh homage to Oscar Romero, sung by Dafydd Iwan
'Romero' by Rob Hahn
Attachments:

No Murio

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Poems

San Romero of America, Our Shepherd and Martyr - by Pedro Casaldáliga
The angel of God announced on the eve. . .
The heart of El Salvador marked
The 24th of March and of agony.
You offered the Bread,
the Living Body
-- the broken body of your People;
Their spilled Blood victorious
-- the peasant blood of your People in massacre
that has to dye in wines of joy the exorcised dawn!
The angel of God announced on the eve,
and the Word was made death, again, in your death;
since it is made death, every day, in the naked flesh of your People.
And it was made new life
in our old Church!
We are again ready for testimony,
San Romero of America, our shepherd and martyr!
Romero of an almost impossible peace in this land of war.
Romero in purple flower of the intact hope of the entire Continent.
Romero of the Latin American Passover.
Poor glorious shepherd, assassinated for money, for dollars, for foreign exchange.
Like Jesus, by order of the Empire.
Poor glorious shepherd,
abandoned
by your own brothers of the pastoral staff and of the Table. . . !
(The curiae could not understand you:
no well-to-do synagogue can understand Christ.)
Your poor, yes, accompanied you,
in faithful anger,
pasture and flock, at the same time, of your prophetic mission.
The People made you holy.
The hour of your People consecrated you in the appointed time of God.
The poor taught you how to read the Gospel.
Like a brother hurt by such murder of brother by brother,
you knew how to cry, alone, in the Garden.
You knew fear, like a man in combat.
But you knew how to give your word, in freedom, the ring of a bell!
And you knew how to drink from the double chalice of the Altar and of the People,
with one single hand devoted to service.
Latin America has already laid you in its glory of Bernini
in the foamy halo of its seas,
in the angry canopy of the alert Andes,
in the song of all its streets,
in the new calvary of all its prisons,
of all its trenches,
of all its altars. . . .
In the secure altar of the sleepless heart of its children!
San Romero of America, our shepherd and martyr:
nobody will silence your last homily!
This poem by Bishop Pedro Casaldáliga, Prelate Emeritus of São Félix, was published shortly after the assassination of Oscar Romero in 1980.  
*************

Dark centuries ago,
it is told, a bishop died
by order of a king,
spattering the chalice with his blood
to defend the freedom of the church
from the secular might.
Well enough, surely. But
since when has it been told
that a bishop fell at the altar
not for the freedom of the church,
but simply because
he took sides with the poor -
because he was the mouth of their thirst for justice
crying to heaven?
When has such a thing been told?
Perhaps not since the beginning,
when Someone died
the death of a subversive
and a slave.
East of Eden: El Salvador

He spoke
each night
on the radio.

Crackling across kitchens
and darkened barrios,
his voice
walked through walls,
lingered among the people,
a challenge to the powerful.

Farmers stopped
to listen.
Soldiers too.

He named the dead,
named the killers.
Named the hope
that God had not forgotten
those without
a voice.

He knew
what it would cost.
“If they kill me,”
he said,
“I will rise again
in the people.”

And he did.

But first,
he watched San Salvador
shake with sirens,
heard the boots
and broken glass
on Calle Rubén Darío,
saw the church walls
blackened with slogans:
'No more martyrs'
painted beside
fresh bullet holes.

He knew the corridors
of power—
had sat with ministers
who sipped coffee
and smiled
while the poor bled.

This priest preferred
the voices on the street.
The woman in Aguilares
with nine kids
and no home.
The baker whose oven
had been seized
for feeding rebels.
The teenager
beaten for carrying
the wrong book.

He preached
from a pulpit
and from pavement.

He said,
'A Church
that does not unite itself
with the poor
to denounce injustice
is not the true Church
of Jesus Christ.'

He carried
his cassock like a target,
his Bible like a blade.
Not to harm,
but to reveal.

He’d once believed
in gentler things—
obedience,
order,
quiet service.

But love
had made him
dangerous.

The shelves in his study
were not decorative.
Worn paperbacks,
corners folded:
Jesus the Liberator,
The True Church and the People,
The Cry of the Oppressed.
A photo of Rutilio
taped to the wall.

He spoke in tones
that shook palaces.
And still,
he prayed.

Still,
he offered
bread and wine
while streets burned.

Still,
he believed in
Crucifixion and
resurrection—
not as symbol,
but as strategy.

He said,
“There are many things
that cannot be seen
except by eyes that have cried.”

He had cried.
And he had seen.

He offered
his last homily
as if it might
be his last.

Because he knew.
They had warned him.
Watched him.

He spoke anyway.

And when the bullet came,
it did not silence him.

It planted him.

And now—
in Soyapango and Mejicanos,
in chapels and coffee fields,
in radio frequencies
still humming
with memory—
he rises.

East of Eden,
he walked
with the crucified poor.

The follower of Jesus,
The friend of the poor,
A Priest,
then a prophet,
now a saint—
planted like seed.
And rising still.

Rev Jon Swales

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